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A typical view of DP in action, with a well-stocked Consolidated Window. The on-trend dark grey look is the default appearance for DP9. MOTU’s sequencing software has been around longer than some SOS readers. Do the improvements in the latest version keep it bang up to date? The roots of MOTU’s Digital Performer go back a staggering 30 years. We’re talking about a time when MIDI was still quite new, Junos got traded in for DX7s, and tent-size T-shirts were all the rage. As such, DP has some claim to be amongst the most mature DAWs out there, one that’s ridden out tumultuous changes in computer architecture and operating systems and overseen the gradual march from a hardware/analogue to digital/virtual world.

MOTU have, of course, been a driving force in that transition, with their popular, well-regarded and ever-expanding range of audio interfaces. The last few whole-point releases of DP have tended to focus on developing different aspects of the application; DP6, in 2008, introduced big user-interface and audio format changes, while DP7, in 2010, bundled lots of guitar effects plug-ins. Then, in 2012, DP8 went 64-bit, added VST plug-in compatibility, and shortly afterwards became available for Windows for the first time. All the while, too, the overall user experience has steadily improved, with thousands of smaller productivity enhancements, new bundled plug-ins, other major new features, and under-the-hood gains in general operational smoothness and processing efficiency. It has also not gone unnoticed amongst DP users that the ethos of MOTU as a company has evolved as well. Nowadays you can download a demo, purchase online, enjoy electronic versions of DP’s extensive documentation, and check out full update notes for each incremental release.

Many users perceive much more of a buzz around DP, and a feeling that it’s going places, where once all was silence and secrecy. And that brings us nicely to DP9, released in June 2015 and with identical features on OS X and Windows. For once, there isn’t an obvious central focus for this release, but many enhancements covering dozens of aspects of use. I’ll come to those in just a moment.

First, a whistlestop tour of what makes DP DP. There’s a school of thought that says all DAWs are really the same, and in some limited ways that’s true.

But as any serious user knows, there are vast differences, in capabilities, operation, design and appearance, and above all in the working approaches they facilitate. So here’s DP9 in a nutshell, which will hopefully give a bit more perspective for when I get to the new features in a little while.

Como Ativar O Corel Draw X6 Pelo Keygen. The user interface is highly configurable — much more so than single-window, browser-centric, drag-and-drop-driven DAWs like Live, Studio One and Bitwig Studio. DP’s multi-purpose Consolidated Window can be made to look a bit like those, or Logic Pro X, or Pro Tools for that matter, but it’s really a different animal. Main editing windows open in a wide central column, flanked by optional left and right sidebars, with transport above. Then, most complex interactions with the application take place via separate role-specific windows, all of which can appear with tabbed title bars to allow them to be stacked up in a single ‘cell’, or un-docked to become completely separate windows. Hundreds of commands lurk in the main menus, window-level mini-menus, or right-click contextual menus, nearly all of which can be offloaded to keyboard shortcuts.

There’s an extensive tool palette that docks to other windows or floats. All in all, the DP environment, and its whole approach to user interaction, is notably more rooted in ’90s and noughties interface concepts than some more recent DAWs. But that also makes it flexible, allowing users to set up (and if necessary save and recall) the exact complement of editing and information windows required for individual jobs, whether working on a laptop or at a desktop with several monitors. Getting to work in DP involves creating or opening a Project, represented on your hard drive by a folder containing a project document along with other associated files and subfolders for audio files, bounces and so on. A Project can contain multiple Sequences, of which one can be open for editing at any one time. For many jobs you will only need one, but having multiple Sequences on hand, entirely independent from one another, allows for good organisational flexibility, and it’s also possible to arrange them into larger Song structures: another ‘old DAW’ concept, but one that suits some ways of working.