Crosswinds is the second album of. The album was released in 1974. It comprises four songs, all composed by Billy Cobham.

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It was used as the basis for the 's hit song '93 'til Infinity'. Wiki 's second date as a leader was one of his better sessions. Cracker Les Jeux Windows Store 8.1. Four songs (all originals by the leader/drummer) comprise 'Spanish Moss -- A Sound Portrait,' and, in addition, contributed three other pieces.

The selections team him with guitarist, both of, trombonist, keyboardist, bassist, and Latin percussionist. In general, the melodies and the vamps are reasonably memorable. Also takes an unaccompanied drum solo on 'Storm.'

Worth searching for by fusion collectors. All Music Billy Cobham made this album at a pivotal point. The original Mahavishnu Orchestra had disbanded, John McLaughlin was wallowing, and jazz purists were beginning to complain about the rock influence. Billy helped show a new direction. Crosswinds opening suite has lush and sophisticated horn arrangments, soothing a subtly intense rhythm. The effect is like night, tropical breezes, just as he wants to convey.

You can almost hear the ocean, the music of the wild Caribbean (no steel drums of course, just cool). The rest of the album alternates between hot and cool, with some funky fusion and a beautiful extended piece, Heathers, near the end, featuring a trombone solo that sounds like the soundtrack to a loving and relaxing dream.

The album is inspired, Billy at his creative best, showing the jazz world a new dimension that fusion had not shown before. At 35 minutes it is a little short, but we have quality here, not quantity. This album belongs in any jazz or fusion collection. By 'Crosswinds' has been in my vinyl collection since 1974, when I first picked up a copy at King Karol Records on 42nd Street in Manhattan.

Well, I recently became reacquainted with this recording after picking up a CD copy at a 'oh so trendy' record store in Haight-Ashburry, San Francisco. As I did then, I played the new CD over and over again, completely enraptured by Cobham's 'Ripley's Believe or Not' staccatto drumming and Lee Pastora's smoking Latin percussion. Joined by the Brecker Brothers, George Duke, John Abercrombie, Alex Blake, John Williams, Garnett Brown and other great luminaries of early jazz fusion, Cobham and his willing partners beat and shape a veritable masterpiece. Drive along Big Sur and take in the vast and dramatic California skies and scarred bluffs and you'll begin to undertand what hues of emotions this exquisite recording conjures.